Start to finish, no skipping
We review the album as an album. If a record is sequenced, the sequence is part of the art. Our reviewers listen the way the artist intended — in order, with the lights down, twice before the first note of a draft.
The Album Club is an editorial community built around the slow ritual of deep listening — album-of-the-month reviews, honest vinyl quality notes, and member-curated deep dives for people who still believe an album is meant to be heard start to finish.
The Album Club began in 2019 in a converted print shop in Portland, where six friends gathered on the first Sunday of every month to play a record from start to finish — no phones, no skipping, no commentary until the needle lifted. We were archivists, bartenders, a jazz drummer, and a record store clerk. The argument that night, if you can call it one, was about the final track on side B of Joni Mitchell's Hejira, and whether the song broke the album open or quietly closed it.
That question — what a record actually does when you give it your full attention — turned into a newsletter, then a blog, then a print zine, and finally this site. Today our editors still gather around a turntable once a month to nominate the next Album of the Month, and our members still write in with their own deep listens. We've grown, but the ritual hasn't changed: an album is a single, intentional arc, and it deserves to be heard that way.
"An album is a place. You don't tour a place — you live in it for thirty-eight minutes and then you tell someone what you found."
A deep listen isn't background music appreciation. It's an act of attention. These are the four commitments our reviewers and members hold themselves to — on every record, every month.
We review the album as an album. If a record is sequenced, the sequence is part of the art. Our reviewers listen the way the artist intended — in order, with the lights down, twice before the first note of a draft.
Pressing matters. We grade every vinyl release we cover — surface noise, mastering, jacket construction, and whether it's worth the price of admission. A beautiful album on a noisy pressing is half a story.
Every Album of the Month is paired with a member-curated deep listen — a personal reading of a single track, side, or sequence. Our best work comes from listeners, not press releases.
We don't rank records on a 1–10 scale and we never optimize for what's trending. A great deep listen is a record that earned the time we gave it. Our reviews read like long letters between friends, not like a feed.
We're a small editorial team with an outsized reading habit. Here's a snapshot of what the club has been doing since that first Sunday in 2019.
Our editorial team is small on purpose. Every Album of the Month passes through a real conversation, on a real couch, with a real record on the platter. Here's who's listening this season.
Editor in Chief
Former jazz drummer, current archivist. Mara founded the club in 2019 and still chairs the monthly nomination meeting. Her favorite deep listen this year was the B-side of Adrianne Lenker's songs.
Vinyl Editor
Daniel has graded more pressings than anyone on the team and writes our quarterly vinyl quality reports. He insists on testing every record on at least three cartridges before it earns a verdict.
Reviews Editor
Sora leads our long-form reviews and edits every member-curated deep listen before publication. She came to the club from a decade of writing liner notes for a small Scandinavian label.
Members Editor
Jules runs the deep listen archive and curates the monthly member roundtable. Their column Side Notes has become a quiet favorite of long-time subscribers.
Whether you've been collecting for thirty years or you're about to buy your first turntable, there's a place for you at the table. The Album of the Month goes out the first Sunday of every month, and the archive is open whenever you need it.
Meet the Members